The Best Mirrorless Camera For Video in 2021

Best Mirrorless Camera For Video In 2021

A rising number of videography enthusiasts and professionals are looking for the best mirrorless camera for video today than ever before. And why not? when these small powerhouses can provide everything one needs for recreational and professional filmmaking. These cameras are lightweight like point-and-shoot cameras yet come with powerful video capturing capabilities that is why they have become vloggers and travel photographers’ favorites.

Moreover, these small and compact mirrorless cameras can now offer excellent autofocus and stabilization that you could once only expect from the action cameras. And as their fame grows, now you have excellent lenses available for mirrorless cameras. Their electronic viewfinder has advanced a lot and now offers real-time viewing. At the same time, their battery life is also improving, and may not catch up with that of DSLRs yet but still doesn’t lag by far.

So, when you have decided to buy the best mirrorless cameras for video, you have done the first part right. Because mirrorless cameras are a superior choice as far as videography is concerned. The new mirrorless cameras are also excellent streamers now. In fact, manufacturers are even upgrading the old ones with firmware which enables them to be used as excellent webcams. The fact is that these cameras do great in every department of videography, whether it’s professional videography for events and film or creating video content for online platforms like Youtube and Facebook.

And since you are looking for the best mirrorless camera for video, you are at the right place. Because we have selected and ranked the best mirrorless cameras for you that lead in video making capabilities right now. These cameras will not only fulfill all your modern-day videography needs but will give your video-making a creative edge with their most advanced features.


11 Best Mirrorless Cameras For Video In 2021

1. Sony Alpha a7S III – Sony’s best mirrorless camera for video, and a low light beast

The best mirrorless camera for video 2021
  • Key specifications:
  • Sensor: Full frame CMOS
  • Megapixels: 12.1MP
  • Lens mount: Sony FE
  • Screen: 3-inch fully articulating touchscreen, 1,440,000 dots
  • Viewfinder: Electronic, 9.437m dots
  • Continuous shooting speed: 10fps
  • Max video resolution: 4K
  • Battery life: 600 stills
  • Weight: 21.7 oz (614 g)
Pros
  • Astounding 4k 
  • Latest Fast Hybrid Auto-Focus System
  • Top low light performance
  • In-body stabilization
  • No limits on video recording
  • Extended battery life
Cons
  • Only 12MP sensor


Released in the fall of 2020, Sony Alpha a7S III is Sony’s long-awaited and worthy addition to Sony mirrorless cameras. With its 12.1-megapixel BSI CMOS sensor, the Bionz XR image processor, this camera can shoot 120p 4K 10-bit 4:2:2 video with no limits on recording time, 4K at 60p uncropped recording it internally, and has RAW recording up to 60p 4K (16-bit) via HDMI. Along with its 5-axis in-camera image stabilization technology and it yields sharper shake-free footage even when handheld.

Sony Alpha a7SIII is the best sony mirrorless camera for video and a low-light beast that can see in the dark with its maximum ISO ceiling of 409,600. It borrows Sony’s latest Fast Hybrid AF system from the flagship FX9 cinema camera with 759 phase-detect AF points and 93% frame coverage. This system allows real-time tracking for both humans and animals, resulting in the best AF performance of the A7S series. Sony’s also added superior AF customization options for greater flexibility over the AF transition speed.

It also obtains the new Z-type battery and comes with a 60% improvement compared to its predecessor. Sony a7SIII can now shoot 600 stills and 90 mins of video on a single charge, offering all Alpha cameras’ longest recording time. It’s one of few cameras with H.265 compression. It also has a 3-inch Vari-angle touchscreen, a full-sized HDMI, dual card slots, log profiles, weather sealing, and headphone and microphone inputs. The camera is a delight for video makers and hence rightly crowned as the best mirrorless camera for video for many reasons.


2. Panasonic Lumix DC-GH5s – The best video-centric mirrorless camera that offers 4K with 10-bit internal recording

The best mirrorless camera for video
  • Key Specifications:
  • Resolution: 10.2MP
  • Sensor: Micro Four Thirds CMOS
  • Monitor: 3.2-inch vari-angle touchscreen, 1,620,000 dots
  • Lens mount: Micro Four Thirds
  • Viewfinder: 3.68M-dot OLED
  • Autofocus: 225-area AF
  • Maximum continuous shooting rate: 12fps
  • Video: 4K
  • Battery life: 440 shots
  • Weight: 660g/1.46lbs
Pros
  • Lightweight design and solid weather-sealed body
  • Multi-aspect sensor design
  • Superb video quality and flexibility
  • Impressive autofocus system
  • Dual SD card slots
  • Unlimited video recording
Cons
  • Absence of IBIS not for everyone
  • Battery life could be better

Available since February 2018, the Panasonic GH5s is best understood as a video-centric variant of the GH5. And despite its low sensor resolution of 10.2MP sensor, the GH5s handles higher sensitivities quite well with noticeably less luminance noise. The camera’s dynamic range has also improved. But when it comes to satisfactory detail capture for still imaging under good light, the GH5S lags by today’s standards.

But on the right side, the Lumix GH5s has a handy 4K photo mode. It reduces stills resolution to 4K and allows you to shoot in bursts of 60fps, or it’s “post focus,” which enables photographers to select their focal point after photos are shot.

When shooting stills or videos in low ambient light levels, it performs better. It is undoubtedly one of the more specialized cameras out there, aimed at low-light specialists and videographers.

For video specifically, the GH5s can’t be touched. It can record both 4K and Full HD with no time limit. While it complies with 4K HDR video with Hybrid Log-Gamma (HLG) mode in Photo Style. It also records 4:2:2 10-bit 400Mbps (All-Intra) in 4K at 30p/25p/24p and Cinema 4K (24p), and 200Mbps (All-Intra) in Full HD. For Slo-mo, GH5s capture DCI 4K at reduced 8-bit, 4:2:0 quality levels at 60fps, or 1080p at a time-freezing 240 fps.

Panasonic Lumix GH5s comes with a “VLog-L” color profile, which allows you to not only shoot a very high-quality HDR video but change it substantially afterward. GH5S now supports timecode syncing. And can be easily synchronized with multiple compatible devices when filming and allows you for convenient post-production editing.

It also comes with an impressively fast and accurate autofocus system and laser-like tracking, and intelligent face detection. All of which eliminates a lot of the potential trouble spots when shooting video.

If you’re primarily a stills shooter, the Panasonic GH5s is not for you. But if the video is your thing, and you want a pro-quality camera capable of shooting in all sorts of ways and gives fantastic results, the GH5S fits the bill. Perhaps, among all the micro fourth, third mirrorless cameras for videography, Panasonic GH5S is the best mirrorless camera for video recording that you can find.


3. Sony Alpha a6600 – Best mirrorless camera for Vlogging so far, with IBIS and real-time tracking autofocus

The best camera for videography
  • Key Specifications:
  • Resolution: 24.2MP
  • Sensor: APS-C CMOS
  • Monitor:  3.0-inch, 922k dots, tilting touchscreen
  • Lens mount: Micro Four Thirds
  • Viewfinder: EVF, 2,359k dots, 0.39 type
  • Autofocus: 225-area AF
  • Maximum continuous shooting rate: 11fps
  • Video: 4K
  • Battery life: 800 shots
  • Weight: 503g/1.11lbs
Pros
  • Dust and splash protection.
  • Good low-light performance
  • Class-leading autofocus
  • 5-axis In-body stabilization 
  • Unlimited video recording
  • Long-lasting battery
  • Mic and headphones jacks
Cons
  • Pronounced rolling shutter
  • Single slow memory card slot
  • Drops in-camera flash.

Released in August 2019, the Sony A6600 is Sony’s latest offering in its popular A6000-series APS-C mirrorless cameras and the successor of A6500. The a6600 has 24.2 megapixels, making it a great hybrid photo and video camera. It can shoot up to 120 FPS in 1080p and 30/25/24p in 4K.

It offers Sony’s latest autofocus implementation, known as ‘Real-time Tracking AF,’ which can track non-human subjects and offers face-tracking and eye-tracking for humans and even animals with the sort of tenacity never imagined before. Its autofocusing mechanics are impressive, with 425 phase-detection points. It has one of the most reliable AF implementations for video in the market.

It uses the sensor’s full-width, downsizing a 6K image into a 4K image for better detail. And it performs well in low-light, with ISO100 to ISO32000 available.

It offers 4K movies in Super 35mm format, no limit on video recordings, and XAVC S-format 4K video at 24fps and 30fps. There’s 120fps slow-mo capture if you drop to Full HD res, and the A6600 can record in an HLG (Hybrid Log-Gamma) picture profile, with S-Log3 and S-Log2 Gamma profiles available for color-grading in post-production and much more.

The a6600 comes with a 5-axis in-body stabilization system, which makes it stand out in the APS-C space, and significantly aids those interested in hand-held video shooting and those looking for hand-held slower shutter speeds for stills.

The Sony Alpha A6600 has a lightweight magnesium alloy body, which is dust-and-moisture-resistant. It is convenient and compact and comes with a larger grip. It has a single SD/MSDuo card slot, which supports UHS-I. And the available, slow card slot isn’t well-suited for action shooters or hybrid stills/video shooters needing to switch over to video after shooting a burst of stills. And also, its rolling shutter could impact the quality of your video.

It is equipped with a bigger NP-FZ100 battery, which is CIPA rated to over 800 shots per charge. That’s basically DSLR territory, which is ideal for long days or vacations.

While the A6600 delivers decent still image quality in isolation, its video-centric features make it stand out as an excellent video and best Vlog camera. In fact, the a6600 is about as close to the perfect Vlogging mirrorless camera as we’ve seen at this point.


4. Blackmagic Pocket Cinema Camera 4K – Affordable compact mirrorless camera with excellent video skills

The best 4K camera
  • Key Specifications:
  • Resolutions 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 1920 x 1080 (HD)
  • Sensor: CMOS
  • Effective Sensor Size 18.96mm x 10mm (Four Thirds)
  • Lens Mount: Active MFT mount
  • Monitor: 5” 1920 x 1080 LCD capacitive touchscreen
  • Viewfinder: Kinotehnik LCDVF BM5, 200 % magnification
  • Dynamic Range 13 Stops
  • Autofocus: Focus: One-shot AF, No continuous AF / Focus button turns on peaking, autofocus available using compatible lenses
  • Maximum continuous shooting rate: 60 frames per second, 120 frames per second in HD
  • Battery life: 30-40 minutes
  • Weight: 1.5 lbs / 680.38 g
Pros
  • UHD and DCI 4K up to 60p
  • RAW and ProRes file types
  • Excellent 4K video capture
  • Longer video recording
  • Beautiful 5-inch Full HD display
  • Huge, sharp screen
  • Intuitive user interface
  • SD, CFast 2.0, and SSD storage
  • Comprehensive connections
Cons
  • Weak battery life
  • No articulating screen

Released in September 2018, The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 sensor that offers 4096 x 2160 resolution and an excellent 13 stops of dynamic range for true digital film quality. Its 4/3 sensor reduces crop factor, providing a wider field of view, and dual native ISO up to 25,600 delivers incredible low light performance.

The Blackmagic Camera gives you 3 kinds of media to choose from. Images can be recorded on standard SD cards, faster UHS-II cards, or CFast 2.0 cards. SD cards can be used to record High definition videos. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can be used to record 12-bit RAW at all supported frame rates.

For longer recording times, you can also record directly to an external SSD or flash disk. You can record 2 hours of Blackmagic RAW in 4K on a single 256GB SD UHS-II card. You can mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software, a $299 worth of software that comes free with the Blackmagic Pocket Cinema Camera 4K.

Blackmagic Pocket Cinema Camera 4K.has Built-in microphones with an extremely low noise floor for professional high fidelity audio recording. You can also connect external professional microphones with its 48 volts of phantom power mini XLR input.

Its LCD is as sharp as an iPhone X’s screen. It’s bright and straightforward to use in sunny conditions. And its display is bigger than anything Canon, Nikon, or Sony offers. And it’s a blessing from a video-centric operational point of view. It comes with a dual card slot. However, it doesn’t have an articulating screen.

The BMPCC 4K uses Canon LP-E6 type batteries. It means that you can continue using your old batteries. However, Battery typically only lasts 35-45 minutes. And sometimes, at below 20% charge, the camera would shut down without warning.

This camera also uses an (active) Micro Four Thirds mount, which is great if you’re already invested in glass from Panasonic’s GH series.

The Blackmagic Pocket Cinema Camera 4K has everything that you could expect from a pro-grade camera. And that with a comparatively very low price. The Blackmagic Pocket Cinema Camera 4K holds the top place for the best value for money mirrorless camera among the best mirrorless cameras for videography.

It has a carbon fiber reinforced body that is very lightweight and very easy to carry around. In short, with such a low price for such a good video camera, The Blackmagic Pocket Cinema Camera 4K is indeed a blessing for videographers.


5. Panasonic lumix s1h – Cinema camera in a mirrorless body

The best video camera
  • Key Specifications:
  • Resolution: 24.2MP
  • Sensor: full-frame CMOS
  • Image processor: Venus
  • Autofocus: 225-area DFD contrast AF
  • Viewfinder: OLED EVF, 5.76m dots, 100% coverage, 0.78x magnification
  • Max burst: 9fps AFS/MF mode, 5-6fps AFC/Live View
  • Video: 6K 
  • Weight: 1,052g / 2.32 lbs
  • Battery life : 400 images (rear monitor) or 380 images (LVF)
  • Weight: 1,052g / 2.32 lbs
Pros
  • 6K video capture
  • Unlimited video recording
  • Effective as a stills camera too
  • V-Log, LUTs and cinema features
  • Dual SD slots.
Cons
  • No raw video capture
  • Big and heavy

Released in August 2019, with a 24MP full-frame CMOS sensor, the Lumix S1H is ideal for mixed stills and video shoots. For stills photography, the Lumix S1H feels and behaves very much like the regular Lumix S1, and hence, it’s also a competent stills camera.

But the Panasonic S1H is a full-frame mirrorless camera explicitly designed for videographers. It comes with capturing 6K video either in a 3:2 ratio at 24p and 10-bit 4:2:0 quality, or 5.9K in a conventional 1:9 ratio at 30p/25p/24p, restricted to cropped Super 35mm format. This extra bit-depth of 10-bit capture avoids banding, clipping, and other artifacts when grading and editing later, especially if you’re going to use V-Log modes. The intention is not to produce 6K movies but to offer extra cropping wiggle-room during 4K output editing. It also offers full-frame (uncropped) capture for 4K, with 4:2:2 10-bit internal recording, Cinema 4K at up to 60p, and unlimited recording time and speeds up to 60p. You can use 60fps capture and playback for fast action or 30fps playback for a 2x slow-motion effect.

Other features include built-in V-Log/V-Gamut modes with 14 stops of dynamic range. It also offers Dual Native ISO, where it switches between two noise control circuits depending on the ISO setting.

The Panasonic S1H comes with a robust-feeling Vari-angle display rather than a tilting screen, which can flip out sideways and forwards, a neat feature that could prove essential when the S1H is mounted on a rig and wired up to external recorders, monitors and mics.

This camera is designed for videographers, not still photographers. But this is no run-and-gun vlogging camera. But intended for filming where the cameras usually are much larger and heavier than this. Though design-wise, however, it does offer some excellent features for vloggers and filmmakers alike. It comes with a comfortable, bigger grip and a more prominent 1.8-inch status display, which holds a lot more information.

The in-body image stabilization is excellent to have, and there’s a big, chunky battery too – though with a modest life of 400 images (rear monitor) or 380 images (LVF). Surprisingly, Panasonic relied upon SD/SDHC/SDXC UHS-II card slots in a camera designed for high-end video and cinematography.

Panasonic has consistently led in video performance with its class-leading GH-line of Micro Four Thirds cameras. And the S1H is not only an extension of that line of cameras into a full-frame body, but you may discover that it’s equally an extension of Panasonic’s highly regarded VariCam line of cinema cameras. It’s best to think of the Lumix S1H as a portable, affordable cine camera – if it’s a vlogging tool you want from Panasonic, you’d be better off with a Lumix GH5 or G90/95.


6. Fujifilm X-T4 – Best APS-C mirrorless camera for videography

The best mirrorless camera for video 2020
  • Key Specifications:
  • Resolution: 26.1MP
  • Sensor: APS-C
  • Monitor: 3.0-inch vari-angle touchscreen, 1,620K dots
  • Lens mount: Fujifilm X mount
  • Viewfinder: 3,690K dots
  • Autofocus: 425-point AF
  • Maximum continuous shooting rate: 15fps (30fps electronic shutter)
  • Video: 4K at 60p
  • Battery life: 500 shots
  • Weight:1.16 lbs / 526 g
Pros
  • Superb build quality
  • Class-leading APS-C sensor
  • Dual SD card slots
  • IBIS for stills and video
  • Improved battery life
  • fully-articulated touch screen
Cons
  • No built-in headphone jack
  • Limited video recording

Just released in April 2020, The Fujifilm X-T4 is the company’s latest high-end APS-C mirrorless camera. And a sister model to the famous X-T3. It comes with a 26 Megapixel APSC sensor, which renders high-quality still and video.

The X-T4 records 4K at 60p and 200Mbps or can record 4K up to 30p and 400Mbps. And its maximum frame rate in Full HD can go up to 240fps. It can record video on both cards simultaneously and comes with the F-Log View Assist, which allows you to display normal contrast and colors when recording with Log.

Also, X-T4 comes with Five Axis in-body Image Stabilization (IBIS). The internal image stabilization improves the video, and you can also add software stabilization, called DIS (Digital Image Stabilization).

With easy-to-navigate menu systems, X-T4 comes with a logical separation between Still and Movie shooting. The autofocus is quite impressive for stills. But in the video, the autofocus is a bit complicated. It can track a face as it moves around the frame; everything else demands that you manually keep the AF point on your subject. For circumstances in which you can manually focus, the Fujifilm XT4 offers focus peaking and magnification, with the option to maintain magnification when you start recording.

X-T4 has a reliable build quality and weather-resistant magnesium alloy design, and a perfect grip. The camera introduced a new higher amperage 2350mAh battery, which manages around 500 shots when fully charged. And can save even more power with a new Economy mode.

Fuji X-T4 doesn’t come with a dedicated headphone jack. And instead, a USB-C-to-3.5mm dongle comes in the box to attach headphones, but you won’t, therefore, be able to charge the camera at the same time. And yes, Fuji XT4 has significantly improved in video capacity, but there’s still a 29 minute limit for video recording.

But with what little you could complain about X-T4, covers all your needs from street photography to video production and everything in between. And in its own right, the X-T4 claims the crown among the best APS-C mirrorless cameras for videography that you can buy.


7. Olympus OM-D E-M5 Mark III – Best mirrorless camera for travel and street photography

The best mirrorless video camera
  • Key Specifications:
  • Resolution: 20.4MP
  • Sensor: MFT
  • Lens mount: NFT
  • Screen: 3-inch vari-angle touchscreen, 1,037,000 dots
  • Viewfinder: Electronic
  • Continuous shooting speed: 30fps (Pro Capture mode), 10fps (mechanical shutter)
  • Video: c4K/4K 
  • Battery life: 310 shots
  • Weight: 414 g /0.91 lbs
Pros
  • Small size and handling
  • Weatherproofing
  • Latest 20MP MFT sensor
  • Stunning Pro Capture mode
  • Exceptional 152 raw file buffer
  • Excellent 5.5EV in-body stabilization
  • Clever Live Composite mode and Live Bulb mode
Cons
  • Battery life
  • Limited video recording

Released in November 2019, The Olympus OM-D E-M5 Mark III is a worthy successor to the highly regarded Olympus OM-D E-M5 Mark II. This new camera uses Olympus’s latest 20.4 MP Micro Four Thirds sensor that allows Olympus cameras and lenses to be incredibly smaller and portable.

The body of E-M5 III is a mix of metal and composites wrapped with faux leather. And despite its smaller size, it feels solid in hand. It is also sealed against dust and weather.

It has a 2.36M-dot EVF and tilting touchscreen display. The camera includes an excellent 5.5EV in-body stabilization, a unique 30fps Pro Capture mode with 14-shot pre-buffering, and 100 % view at 6 fps with a mechanical shutter, avoiding all possibility of lateral distortion with full autofocus and exposure. Battery life is CIPA rated at 310 shots, which is just average for a mirrorless camera.

The E-M5 Mark III comes with a pretty robust video feature set. It can shoot wider DCI /Cinema 4K (4096 x 2160) videos at 24fps and a 237Mbps bit rate. And regular 4K video (3840 x 2160) at 24, 25 or 30fps and 102Mbps, respectively. Full HD videos up to 60fps can be recorded in ALL-I format, which ups the bit rate to 202Mbps. You can also shoot Full HD videos up to 120fps for slow motion. Maximum video recording time is approx. 29min 59sec and the camera captures video on the full sensor, without crop.

What’s impressive about the E-M5 III is its stabilization. When you combine a digital stabilizer with the E-M5 III’s sensor-shift stabilizer, you get incredibly smooth footage, even while walking with the camera out in your hand. And it also tends to track and smoothly focus on faces pretty well, making it another best Vlogging camera on our list, and a good option for casual street photography.

Precisely, the E-M5 III is capable of some excellent video performance, with outstanding autofocus, stabilization, and detail capture. It features the same sensor, AF system, and 4K video capture as the flagship E-M1 II and E-M1 X, in a considerably smaller, lighter body. And could be an ideal choice for travel photography and content creation because of its all-around performance.


8. Sony Alpha a7 III – Sony’s best mirrorless camera for photo and video

The best mirrorless camera for video
  • Key Specifications:
  • Resolution: 24.2MP
  • Sensor size: Full-frame
  • Viewfinder: 2,359K dots
  • Monitor: 3.0-inch tilt-angle touchscreen, 921K dots
  • Lens mount: Sony E-mount | Autofocus: 693-point AF
  • Maximum continuous shooting rate: 10fps
  • Video: 4K at 30p
  • Battery life: 710 shots
  • Weight: 1.43 lbs / 650 g
Pros
  • Uncropped 4K video
  • 15-stop dynamic range
  • 5-axis image stabilization
  • Larger, ‘Z-type’ battery (CIPA rated to 710 shots)
Cons
  • Limited video recording
  • Only one SD slot supports UHS-II cards

Released in April 2018, Sony Alpha a7 III comes with a BSI CMOS 24.2MP sensor that excels in all types of lighting conditions whether day or night and offers an incredible dynamic range for capturing sharp images. After Alpha 7sIII, it equals or is better than all full-frame cameras of the market in low and high ISO performance. It can shoot at 10fps, and can accurately autofocus on fast-moving subjects or portraits with its advanced 693-point autofocus system which covers almost the entirety of the image sensor.

Sony A7III is still one of Sony’s best full-frame mirrorless cameras for video to date. It shoots 4K at 24fps from the entire 24.2 MP (6K) sensor and oversamples it to 3,840 x 2,160, precisely like A9, a much more expensive Sony camera. When shooting at 30 fps, it takes a mild 1.2x crop, resulting in slightly less detailed footage but with a somewhat enlarged depth of field. To punch in more, it can also shoot with the APS-C portion of the sensor (a 1.5x crop). There’s a 30 minute limit for video recording.

The camera’s video autofocus is outstanding; you can use the “Center Lock-on AF” to isolate a specific subject and let the algorithms track them for you. ‘Spot’ autofocus works if you know where your subject will be, and for more unpredictable action, the ‘wide’ setting will automatically find and track the subject’s face. Though it may get confused occasionally with multiple subjects, video AF is excellent overall.

And with A7 III’s five-axis image stabilization, you can shoot with a slightly slower shutter speed and still get sharp images and video.

The A7 III comes with a solid and weatherproofed body but needs to be handled with care in the rain around the accessory ports and bottom.

Sony A7 III also comes with perfect battery life. It is capable of 710 shots on a full charge, and with that, it beats every camera out there in the mirrorless world and is stepping into DSLR territory.

Sony has distilled some of the best bits from much more expensive A9 and A7R III cameras into A7 III, allowing it to offer a mix of fantastic image quality and video performance. A7 III is one of the best mirrorless cameras for videography and an ideal choice for generalist photographers, wedding and event shooters, and even sports shooters. And if you are looking for a full-frame mirrorless camera that gives the sharpest 4K video and can shoot excellent stills at the same time and that with a reasonable price, then there is no better camera on the market than A7 III, period.


9. Nikon Z6 – Best Mirrorless camera for sports shooters and video makers

Top videography camera
  • Key Specifications:
  • Resolution: 24.5MP
  • Sensor: Full frame CMOS
  • Monitor: EVF, 3,690k dots, 100% coverage
  • Lens mount: Nikon Z
  • Continuous shooting speed: 12fps
  • Viewfinder: EVF
  • Video: 4K UHD at 30p
  • Battery life: 310
  • Weight: 675 g (1.49 lbs )
Pros
  • Great overall image quality
  • Good buffer depths and buffer clearing
  • Good AF-Eye detection AF
  • 12fps burst mode
  • Superb high-ISO quality
  • In-body stabilization
  • Full frame 4K video
  • Stellar Z-mount lenses
  • Good build quality
  • Excellent weather resistance
  • Comfortable handling
Cons
  • Weak 310-shot battery life
  • Single card slot
  • Video recording limit

Introduced in August of 2018, the Nikon Z6 is a full-frame mirrorless camera with a 24MP full-frame CMOS sensor. It’s very similar to its big brother, the Z7. It comes with a deep and comfortable grip yet a surprisingly compact overall size. The camera body feels exceptionally sturdy and has no issues withstanding rain, dirt, and other inclement conditions.

Though Z 7 has garnered much praise for its outstanding image quality, the Z6 still rightfully holds its own for its image quality and stands out against the higher resolution sibling by offering enhanced video quality and specs, and more speed and performance features. The Z6 offers an extensive ISO range, with extended sensitivity reaching up to ISO 204,800, making it an ideal choice for low-light situations. And the camera is capable of huge wall-sized prints even at higher ISOs. For the most part, Z6 Nikon is capable of detail-rich, vibrant images with excellent dynamic range, and flexible raw files.

When it comes to speed and performance, the Nikon Z 6, with its fastest 12fps mode, Z6 hits right up there with high-end sports cameras. Buffer performance is outstanding with very short clearing times, thanks to its super-fast XQD memory card slot. One of the Z6 (and Z7) big selling points is the ease at which you can adapt your existing Nikon F-mount DSLR lenses.

When it comes to video, out of the two Nikon Z series cameras, the lower-priced Z6 is clearly a better choice. It not only has all the capture tools of the Z7 but unlike its sibling, its UHD 4K is oversampled with no crop line-skipping, just like Sony A7 III. In contrast, Z7 does that with a crop. The Z6 captures 4K video, which is sampled from the sensor’s entire width and then downsized at 30p, 25p, or 24p. You can shoot a full-frame or switch to DX mode for a 1.5x crop. But whichever mode you choose, the quality remains excellent.

In addition to 4K at 30p, the Z6 also captures Full HD video at 120p and 100p. The camera’s on-sensor phase-detection increases both speed and dependability and maintains the focus well. At the same time, the 5-axis stabilization keeps the footage smooth and steady. However, the camera doesn’t record 10-bit internally, so N-Log can only be sent to an external recorder.

Z6 uses a single XQD card slot. XQD cards are robust and offer incredibly fast read and write speeds, a welcome feature for data-hungry shooting, particularly video. But on the other hand, the cards are not as standard at the moment and are relatively expensive. And also, many other competitive and similarly priced cameras offer dual card slots.

However, the Z6 isn’t the most versatile nor full-featured video camera. It comes with several limitations, such as the HDMI mentioned above recorder limit with N-Log video and a tilting rear LCD screen, which may work immensely well for stills. However, a Vari-angle or fully articulated design would be a better choice for video recording.

These limitations may keep it below the Panasonic GH5S or S1H, in our list of best video cameras. But this Nikon mirrorless camera, the Z6 still captures pleasing, high-quality video and offers a decent feature set for those wanting to explore the more balanced performance. And with its speeds, it’s no doubt the best mirrorless camera for video shooters interested in sports photography.


10. Canon EOS R – Arguably the best Canon mirrorless camera for video so far

Best video-making camera
  • Key Specifications:
  • Resolution: 30.3MP
  • Sensor: Full-frame CMOS, 36x24mm
  • Lens Mount: Canon RF
  • Autofocus: 5,655 Dual Pixel AF positions
  • Monitor: 3.15-inch fully articulating touch screen, 2.1M dots
  • Max burst speed: 8fps
  • Movies: 4K UHD at 29.97P
  • Battery: 350 shots (EVF) and 370 shots (LCD), Power Saving mode to 430  (EVF) and 450 shots (LCD)
  • Weight: 1.45 lbs / 660 g
Pros
  • Sold body and big grip 
  • Weather sealing
  • Potential for customization 
  • Accurate dual Pixel CMOS AF
  • Wide choice of adapters for Canon DSLR lenses
  •  Better ergonomics (New Control ring and M-Fn Bar)
  • Excellent image quality
  • Fully articulating touchscreen
  • Video autofocus performance
Cons
  • Video recording limit
  • No in-body stabilization
  • Single SD card slot
  • Bad rolling shutter

Released in October 2018, Canon EOS R may hold the last position in our list of best mirrorless cameras for videography. It is still arguably the best mirrorless camera for video that Canon has produced so far since the Canon EOS R5 and the EOS R6 come with over-heating issues. The EOS R is weather-sealed and comes with a comfortable grip, and the whole camera feels impressively solid.

It comes with a single memory card slot. But what Canon has done incredibly well is to build a new camera system around the RF mount that comes up with a mature lens lineup featuring some of the best glass in the business.

Canon has equipped EOS R with Dual Pixel CMOS AF, as introduced on its DSLRs, which comes with a whopping 5,655 focus positions covering 88% of the frame horizontally and 100% vertically.

The cannon mirrorless camera comes with a Digic 8 processor and is very responsive managing 8fps in continuous shooting mode. Also, the camera has a well-implemented touch screen LCD that’s fully articulated. And certainly makes the EOS R stand out in the current full-frame mirrorless market and comes in handy for Vloggers and keen videographers alike.

Canon EOS R is Canon’s first camera capable of using dual Pixel autofocus while capturing 4K. And if you want manual autofocus, the camera now offers focus peaking that you can use simultaneously with a dual pixel focus guide, which is a very helpful feature in recording movies.

It can shoot UHD 4K (3840 x 2160) at 30 fps at 480 Mb/s, and Full HD 1080p shooting at 60 fps while HD 720p at 120 fps for slow-motion footage. When recording in-camera, 4K video has 4:2:2 sampling, and 8-bit color depth, a 4:2:2 10-bit clean output in ITU-R CT.2020 is possible when using an external recorder.

The EOS R is also equipped with a large, responsive, and razor-sharp electronic viewfinder (EVF), allowing you to shoot traditionally too if you wish to. The camera also has an inbuilt stereo microphone and a 3.5mm mic jack for an optional external microphone.

What makes this camera below other cameras in this list is that it comes with a 1.8x crop factor when shooting a 4K video. Like most hybrid shooters, the Canon EOS R comes with a 30 minute recording time limit.

The biggest problem with this camera is the 1.8x crop factor when shooting a 4K video. For that, the EOS R has a narrower field of view than APS-C cameras and is just a shade better than Micro Four Thirds. And as with most hybrid shooters, there is also a 30 minute recording time limit.

But again, video quality is sharp and impressive, and skin tones and colors are great. And vloggers and shooters who rely upon autofocus the camera offer a lot with its Dual pixel system. And along with it, the fully articulated touch screen makes it ideal for Vloggers.


11. Canon EOS M50
– The best mirrorless camera for video streaming

best mirrorless camera under 1000
  • Key Specifications:
  • Resolution: 24.1 MP
  • Sensor: APS-C CMOS
  • Lens Mount: Canon RF
  • Autofocus: 143 points Dual Pixel AF positions
  • Monitor: 3-inches LCD touchscreen, OLED 2360k dots
  • Max burst speed: 7.4fps
  • Movies: UHD 4K 23.98p
  • Battery: 235 shots
  • Weight: 387g/2.05lb
Pros
  • Autofocus with eye detection
  • Ensures quick performance
  • Tilting display screen
Cons
  • Limited native lens option

Canon EOS M50 mirrorless camera sets to offer high-end images and video features with ultra high definition 4K video recording, an outstanding electronic viewfinder, and an exceptional dual pixel CMOS autofocus with eye detection. This mirrorless camera is available for under 1000 $ only. In fact, you’ll have to pay a little more than 500 $ to get your hands on this excellent camera.

The brilliant APS-C CMOS sensor of Canon EOS M50 affords high resolution 24.1 megapixels stills. The DIGIC 8 image processor ensures quick performance and high sensitivity for clear and sharp images and videos. The adjustable ISO range allows amazing results even in difficult lighting conditions. Additionally, it reduces noise and is responsible for the finest details in high and low lights. Canon M50 supports UHD 4K video recording at the frame rate of 23.98 frames per second. The full HD 1080p60 and HD720p120 are also available for slow-motion video settings. This camera is recommended by many YouTubers for live-streaming and can be easily used as webcam.

Dual Pixel CMOS AF system of EOS M50 delivers fast focusing performance and works to achieve focus accurately and quickly. The eye detection and face detection AF feature help to detect subjects’ eyes or faces and locks on them to track and focus the moving subject. This helps in reducing the blurry effects in stills and video recording for moving subjects.
M50 holds a combination of in-body 5-axis digital image stabilization and lens-based image stabilization system to minimize the camera shake more effectively especially during handheld shooting.

3-inches LCD of Canon mirrorless camera is a touchscreen making it convenient for you to navigate menu and control settings easily. The Vari-angle enables you to tilt it at high and low angles whatever suits you most. Moreover, it supports a built-in wi-fi, NFC, Bluetooth as well as remote control capabilities thus making your videography fun and adventurous.


What to look for when buying the best mirrorless camera for video?

Which is the best mirrorless camera for you, depends primarily on your film-making type and videography style. But no matter what your type and style might be, the following are the essential features that you must assess before making your final decision.

Video Capability:

Video formats that Mirrorless cameras can feature are 1080p, 4K, 5K, all the way up to 8K recordings. But it’s up to you to decide which recording format suits you best. Because the recording format you choose determines not only how much you’ll be spending on memory media (most often, a memory card) but also how much recording time you’ll get. There is generally a trade-off: Better-quality formats and higher resolution settings give you shorter recording times.

Also, some mirrorless cameras come with limits on their video recordings. So, always check for it, especially if you are interested in shooting long videos or streaming videos to video sharing platforms like Youtube, Facebook, or Twitch. In that case, one more thing you have to look into is whether your mirrorless camera has a clean HDMI output.

Audio Capability:

Audio is just as important as video, so ensure that the camera you’re investing in captures clean and good quality sound for your films. It would be best if you had headphones to monitor audio and a good quality mic. You need to look at how accurately the built-in microphone records and whether the sound file is free from noise or hiss. A few advanced models include a jack for using an external microphone, which can improve sound quality.

Reliable autofocus:

Reliable autofocus is essential, especially when you are recording a video. Autofocus is preferred in videography over manual focus, as you often don’t have time for manual focus during video recording, and autofocus is hassle-free. But also, you don’t want autofocus jumps that happen when your autofocus gets confused about your subjects. So obviously, mirrorless cameras for videography with good autofocus is always a good investment.

Image stabilization:

Mirrorless cameras offer two types of stabilization. Either they come with IBIS (internal body image stabilization) or offer lenses with optical IS. Both have their advantages or disadvantages. But in short, it depends on individual use. If you are more into handheld videography, then IBIS offers better handheld stabilization. But if you are more into high precision videography that includes low to high angle, 360 degree or long ease in shots that require the use of gimbal, or if you’re going after a shooter with a long telephoto zoom, then optical IS is your choice.

LCD Screen:

LCD is essential to consider because it can be convenient or difficult to use depending on your shooting style. A vlogger would prefer a fully articulated touch screen that tilts sideways than a screen that tilts downwards. Similarly, a touch screen that tilts upward would be preferred by a shooter who relies on a gimbal than a shooter who shoots handheld.

Mostly LCD measures about 3 inches on the diagonal, but some are larger. However, It is also essential to see how LCD performs in bright light and how clear it is in dim light as you won’t always be shooting on a sunny day. And Also, it should be noted that the more capable the screens on the camera, the shorter is the camera’s battery life.

Battery life:

The longer the battery life the better it is for any camera. And it becomes more demanding for videography. So look for the mirrorless camera that offers good battery life because higher quality video resolution is of no use if your camera can’t keep up with your work hours. But also don’t expect longer battery life like DSLR and action cameras from your mirrorless. Their battery consumption is getting better but still not there yet.

Conclusion:

Videography has surfaced as one of the most rewarding forms of art in the past few years both for professionals and casual shooters. And an excellent video camera does help you to stand out. All the cameras we reviewed for you are excellent video shooters and top-notch in their respective categories. You can choose any of these mirrorless cameras depending on your requirements and budget. And we are certain that you’ll enjoy your video shooting for a longer time to come. Still, feel free to write to us if you need more assistance.

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